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The inclusion of a deep quantization system that works in real time is key to creating a delay effect that will work in a live environment. By right clicking on the delay time parameter, you can change the allowable quantizations of the measure. Setting the first and second delays to different times you can literally have the delay play a beat. M-Tap Delay 4 multitap delay. Pitch Delay stereo delay unit + pitch shifter pitch shifter can be modulated by LFO. Filter Delay stereo delay unit + multimode filter(SVF, Formant Filter, Comb Filter) filter cutoff frequency can be modulated by LFO. PM Delay dual mono delay basic structure is based on Lexicon Prime Time Delay detail Dynamic Delay. Infected Sounds is a manufacturer of software for computer-based audio production. The company's mission is to develop high quality Virtual Studio Technology Instruments for all those musically inclined whether that be professional or amateur. The only limit is the imagination!

Tape Delay is a free delay VST, Audio Unit plugin developed by Kingtao. Compatible OS (s): Windows 64b, macOS. Emulation of a magnetic tape delay line. The algorithm is not outstanding at all. Some aliasing occurs at high frequencies. Anyway it could be useful for dub style delays. Glitchmachines – Hysteresis. This is more than just a delay plugin. It also allows you to create.

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VST Effects CHARACTER Tube / Tape Chowdhury DSP – Chow Tape Chow Tape size 6 MB / 7 MB / 7 MB Chow Tape is an analog tape machine physical model, based on the Sony TC-260. MaDelay is a tape echo / delay unit. Beat / time selection. Bandpass filter. Please support freeware development. Donate to Madbee Audio.

The Lounge Lizard EP-4 plug-in delivers authentic vintage electric piano sounds in an everything-you-need package. Lounge Lizard VST Crack Session has a very straightforward presentation. The top section has all of your preset functions, a MIDI light with a cool vintage jewel light look, a fine-tuning tool, MIDI voice control, output volume control, and a handy meter. The middle section has the appearance of rackmount effects, complete with compressor, EQ, chorus, phaser, and reverb. The bottom section is where the real magic happens with this plugin, which we’ll detail in the next section. Lounge Lizard Crack contains hammer noise, fork tine bar and tone amp, pickup symmetry, character and tremolo controls, and has a switch to toggle input from your keyboard’s pitch/mod wheels. There is also a handly 7-octave piano roll for the mobile musician.

I used to use Logic as my DAW and it had a decent electric piano sound included in the package. You know Apple likes this sound because it is the default that is loaded when first creating an instrument track. It’s decent if not great. When I switched DAWs to Studio One 3, suddenly I had nothing at all for electric piano — nothing that sounded remotely like an electric piano, like a Fender/Rhodes or Wurlitzer. Nothing. I did a lot of research on the web and mostly came up empty. Then I stumbled on Lounge Lizard EP-4 and was tremendously impressed with their demo video on their website. The fear is always that it sounds great in their carefully produced demo but when you get it home it turns out to be lacklustre.

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Normally it is about the quality of the samples and the interface and how you can tweak things to suit your playing style and/or project. Lounge Lizard Crack Mac is simple -based at all. Lounge Lizard Mac sounds absolutely amazing. This is BEST IN CLASS and if you want electric piano sounds that are better than the real thing, buy Lounge Lizard Crack EP-4. You will find that you should have paid more, it’s just that good. If you want the best electric piano sounds that are a joy to play and sound amazing in your tracks, sounds that are fantastic as presets and extremely easy to tweak, you want this. If you need electric piano sounds you need to look no further, this is by far the best.

I own a Mark I stage 88 key Rhodes, and a Wurli, both in excellent condition and I love playing them. However, as everyone who owns these vintage keyboards knows, they are BEASTS to move around. The Yamaha Motif’s electric piano samples are decent, but those keyboards while not as heavy as a Rhodes or Wurli are still heavy as sin. The Nord’s electric piano samples are better than Yamaha’s in my opinion, and I really love Nord keyboards, but they are expensive as sin. So, not like the options of spending a whole lot of money, or spending a whole lot of money and still having a heavy keyboard to move around, I looked in the virtual instrument realm, found this software and figured why not? Well, after about a month and a half of use, this is definitely one of the best decisions/purchases I’ve made. Nord who?

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The software is very user friendly, the presets are incredible, and the amount of sounds and ability to customize them puts this over the top. Not to mention that it takes up almost no space on my laptop’s hard drive. It doesn’t matter what controller (Casio CDP 100 or M-Audio 49 Key Keystation) I use with it, once I hear the sounds through my amp if I’m playing live or in the headphones, if I’m recording, it’s as if I’m sitting behind my Rhodes or Wurli and I don’t have to worry about moving the instrument to and from the gig. Runs very well in FL Studio. Multiple instances run clean with no problems. Nice interface.

The reason for only 3 stars? Though the software has a good patch set, the sounds you hear in the demo video were custom made by Thiago Pinheiro using the Lounge Lizard software. I was told this by AAS after I complained to AAS about not finding the sounds I heard in the demo video in the software. Those nice sounds/patches were the reason I bought the software. I’m not a sound programmer and I depend on the software I purchase to have all the sounds I hear in their demos to be in their software.

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If you are not a sound programmer and buy this software, you will have to do your own “tweaks” in order to try and create some of those nice sounds produced by the professional musician (Thiago) in the demo video. Despite this negative, which was a big one for me, I have learned to produce my own custom patches. I currently have 30 patches that are well beyond the included patch set and the software is now giving me the sounds that I was expecting to get from the software out of the box.



Over 240 inspiring presets covering the classic electric piano sounds popularized by legends, custom electric pianos, classic track sounds, and wild experimentation. The factory library covers about every electric piano need and more.

Do not include a link to a final product or to a demo in your post.7.


Direct access to key effect and piano parameters to perfectly match the tone to your performance. Play your piano through different cabinet, pre-amp, microphone, and recorder signal paths typically used with electric pianos.


Hammer, tone, tine, pickup—Lounge Lizard is built around the modelling of real piano components. Custom pianos can be created with just a few tweaks, a job that took hours of painstaking work on real-life instruments. The factory library is filled with carefully designed pianos but you will have fun servicing your own.


The Effects panel wraps up Lounge Lizard EP-4 is an all-inclusive package. With awesome polishing tools at your hands to match a classic track sound, create custom tones, or simply go wild.


We took the most versatile electric piano plug-in to another level—it’s our best sounding release to date.

NEW Library

The completely renewed factory library features classic electric piano sounds as well as over 240 gig- and mix-ready custom electric pianos making good use of the compressor, equalizer, and multi-effect processor.

NEW Compressor and Equalizer

These new additions are perfect to add punch and definition to your sound, letting you cut through any dense mix or stage.

NEW Character Control

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The new Character control provides five classic studio and stage signal path emulations—that’s the cabinet, pre-amp, microphone, and recorder chain that follows the piano’s output—to easily snug fit your electric piano part into your track.

NEW Streamlined Interface

Redesigned from the ground up, the new interface now divides Lounge Lizard EP-4 into three panels: Play presents shortcuts to the main piano and effect parameters including bypass switches for quick edits; Edit lets you get under the hood and voice the piano to taste; while FX supplies equalizer, compressor, multi-effect, and reverb processors for final shaping duties.

NEW Limiter

The new output limiter protects your ears and monitors during experimentation with the piano’s physical modelling parameters while providing a maximum of distortion-free dynamics.

NEW Bank and program manager

Lounge Lizard EP-4’s new manager allows a simple and efficient organization, backup, and sharing of your sounds.

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UPDATED Overhauled effects

Reinvigorated, polished, and tuned especially for the electric piano, Lounge Lizard EP-4’s multi-effect processor features our best sounding chorus, delay, phaser, flanger, distortion, notch filter, wah-wah, auto-wah, and reverb to date!

NEW Microtonal tunings via Scala scale files

Lounge Lizard EP-4 now supports the Scala scale file format for microtonal music-making.

NEW Native 64-­bit AU, VST, and AAX plug­-ins
Lounge Lizard EP-4 now runs in native 64-bit on Mac OS X and Windows making it compatible with the latest sequencers.

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Classic Delay emulates three of the most commonly used delays / echo sounds types: Tape, Analog, and Digital, but without the introduction of noise. A quality control is included where the sound of the echo machine can be adjusted to give the preferred amount of “imperfection”. The delay can be synchronized to the host, and the feedback can be reversed to give a ping-pong effect.


  • Tape-, Analog- and Digital Delay sound.
  • Ping-pong delay.
  • Quality control.
  • Tone control.
  • Presets.
  • Ultra low CPU usage.
  • Supports sampling rates up to 96kHz.
  • Full VST automation.